Super Buying Haul Aeroplane Ceiling Light, Hummel Figures, Poole Pottery, Crystal Vase ResalePoole Pottery is probably best known for the colourful hand painted floral designs created by Truda Carter after her arrival at the Pottery in Drawing on many contemporary influences, these were painted on to hand thrown pots in standard shapes and sizes made from the deep red clay found locally. The clay pots were slipped with a white clay on the outside and the decoration was painted on to a clear glaze. The reaction between the glaze and the colours in the kiln gave the pots a unique depth and warmth of colour. Pottery in the traditional style was produced at Poole in one form or another from the 's until Floating bowl pattern OM by Ruth Pavely. There are a number of ways to date traditional pieces.
These were very popular and became a hall-mark of Poole Pottery — what has become known as their Traditional Wares.
They were in production from the s to the s. They are still very popular today and are highly sought after by collectors. As well as being influenced by outside artists, Poole Pottery also produced some of their own designers who went on to produce innovative and modern designs.
They adapted their floral and animal designs to a more abstract, angular and geometric style that was all the rage; and these Pole Pottery wares are now highly sought after by Poole Collectors. Lucien Myres was appointed director of Poole and after post-war design council restrictions were lifted inPoole sought to return to its art-pottery roots.
They began to develop a new and modern look in ceramics and Alfred Read was hired as chief designer.
Poole Pottery is probably best known for the colourful hand painted floral designs created by Truda There are a number of ways to date traditional pieces. Usually when someone says "not marked, but I think it's Poole" – it isn't! Understanding what the marks mean is the key to identifying and dating Poole Pottery. Poole Pottery marks - Help identifying and dating Poole Pottery using factory stamps and decorators or painters marks.
Poole Freeform was a new, more modern style, developed after WW2. Poole set up a semi-independent studio within the factory in to produce studio pottery. Headed by Robert Jefferson and with Tony Morris as a key designer. From they produced a range of studio pottery that later became a model for the well-known, brightly coloured Delphis range of the s and s.Small Chat About Poole Pottery and Book Review
Poole also produced two other noted art pottery ranges in the s: Atlantis and Aegean as well as some limited edition stoneware animal figures. It re-established the studio and began producing new ranges and also hired a number of independent artists and designers to produce one-off and limited edition designs for Poole e.
Poole is now back where it belongs, not only producing a wide range of useful tablewares but continuing to be at the cutting edge of art-pottery design in Britain. Indeed, in addition to new, still-in-production decorative items, most of the Poole items that you will see for sale on eBay and in auction houses are tablewares of little value. The best and most collectable tablewares are probably the contemporary designs of the s. All produced by a talented team of artists and designers who have their own individual marks, namely ….
Collecting Poole Pottery and dating Poole Pottery marks from Including Carter & Co marks and Poole marks from the twentieth century. Results 1 - 48 of Buy Date Range Poole Pottery and get the best deals ? at the lowest prices ? on eBay! Great Savings ? Free Delivery.
Victoria Higginbotham. There are a number of ways to date traditional pieces. Certain artists worked for limited periods only and their mark can enable accurate dating. A list of known marks can be found in Hayward and Atterbury.
It is relatively easy to date a piece to before or after At this time the Pottery changed from a traditional red clay to white earthenware body because the Carter and Co pits were becoming depleted.
Poole Pottery Marks
From the white body of the piece was covered by a pink slip. However, the white base can be seen where any incised or impressed mark cuts through the slip. After there is no pink slip and the base is all white. There was little production of decorative wares between and and traditional patterns with a white base and the impressed Poole mark date from just prior to, or just after the War. Any decorative pieces made between and would have been for the export market only see below.
Above left - white earthenware of the vase showing through the pink slip where the pattern number has been incised. Painted by Eileen Prangnell, Above right - original red clay vase by Ruth Pavely, pre Ruth Pavely went on to become Head of Painting and is regarded as one of the best paintresses of her time.
The French styles and designs on display proved to be extremely influential and were taken up by many of the contemporary potteries. Initially known as 'Jazz Modern'the style has now become known as Art Deco.
Designs which include clouds, geometric shapes and leaping deer - and vases with stepped handles - are all characteristic of this era. Right - pattern BS shape by Anne Hatchard. Above - pattern AX is typical of the Art Deco geometric designs of the 's and 's. The vase shape by Mary Brown, on red clay. Shape is regarded by some as the most attractive of the traditional vase shapes as it shows many of the patterns off to their best advantage.
The factory experimented with different colour variations and combinations of many patterns.
Poole pottery dating
Both vases are painted by Ruth Pavely on red clay. Further variants are shown below. Pattern NM shape above left is a version of pattern AX in purple and yellow. The central vase is pattern BT, a subtle variant of AX. The twin handled vase shape is by Margaret Holder.
There is no pattern code on the twin handled vase. Above - A pair of vases in pattern BC sometimes called the scimitar pattern shapepainted by Eileen Prangnell on a pink slip over white earthenware. The pair of vases is pictured with vase shape pattern AX by Ruth Pavely.
Above - shape was also made as a ginger jar with a lid. Above - pattern MM by Mary Brown Above - vases with fluted sides in different colour variations. The right hand vase has no pattern or paintresses mark. All are on red clay. Above - pattern DH plate on red clay by Mary Brown Patterns E and F are spectacular examples of geometric patterns which work well on large pieces.
Pattern E is blue and pattern F is green.
The green vase does not have a pattern code. Pattern E is rare but does also exist on shape A more common variation is in yellow pattern YE, meaning yellow variant of pattern E. Both of the vases above are shapeon red clay and painted by Ruth Pavely. One of the more striking geometric patterns is KN.
The combination of blue and yellow and bold lightning strikes are particularly appealing. Both are shape The green version is probably the scarcer. Above - Vases in shape showing different colour variations of the same pattern.
Left OD by Anne Hatchard. Right OL by Mary Brown. Above left - pattern VY by Eileen Prangnell.
Right - pattern the green variant of the same pattern by Marian Heath. Above left - a blue variant of pattern PA no pattern code by Eileen Prangnell. Right - unsigned plate shape and marked G probably a glazing trial mark.
The pattern usually has a sprayed green glaze but the right hand vase is a more unusual variant. Above - a large and spectacular vase in an unusual combination of yellow, green and blue. Shapepattern GL by Anne Hatchard. Above - patterns with a black background are particularly sought after by collectors.
During the War the old kilns used for the manufacture of structural ceramics by Above - the three 'dolphin' marks most commonly found on 's Poole. Free guide to buying Poole Pottery from the industry's leading experts and sunspots - and dating from c established an auction high for a piece of. The best of Bitish art pottery and ceramic design. Site includes reference materials, poole pottery timeline, price guide, factory marks and.
Pattern HX vase above and charger below are painted by Anne Hatchard.